Footnotes to a History of Architecture
Kristina Marie Darling

^1. Three of the darkest rooms, long since cordoned off from visitors.

^2. Here she would hang the portraits one by one, straightening their tiny wooden frames. Her delicate hands.

^3. "I wanted to preserve the sequence, its faultless order. From the corridor I heard him sing the last notes of Orphèe et Eurydice.  But beyond my window, the most pristine snow."

^4. Cornice.
1. The uppermost part of a classical entablature.
† 2. Any of various ornamental bands, most often for concealing.
‡ 3. To furnish or finish.
4. A mass of snow, ice, etc., projecting over a mountain ridge.

^5. The frieze depicts a series of attempts to stave the avalanche. Despite several recent excavations, the lower portion of the piece remains obscured.

^6. According to Spiro Kostof, author of Settings and Rituals, the building is itself a daguerreotype of the inhabitant. Thus volition could be said to function in much the same way as silver and mercury.

^7. Because each house contains a hidden staircase, leading only to a set of empty rooms, one would classify Zembla as the most introspective of these snowbound empires.

^8. Translated from the Russian as dissonance. Meaning the disparity between interior and exterior.

^9. As a result, the girl suffered from a rare form of claustrophobia. Every night she sought a new cathedral. Even the grandest arcades leaning towards her.

^10. Note the tiny doves etched into every marble balustrade.

^11. Compare, in this case, to an inland sea.

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