From The Plagiarist's Notebook: Forgotten Cities of Calvino -- Erosphyxia |
The Library of Erosphyxia, once rivaling those esteemed vestibules of
collected esoterica found oceans and centuries away in Urbino and
Alexandria, slouches mite-ridden and abused, leaping with the black
widows and dust bunnies all great halls acquire from centuries of
un-use. But one cannot be lead into assuming communal catastrophe or
decadence, the predictable dumbing-downs of a society yawning a hole
into its days by gladiatorial games or the blue and sepia lights of
the television box. An afternoon stroll down the cobblestone
promenades, laying ground to seasonal fountains and tight spires,
would lead you to no fewer than a military company of brash and
waist-high boys grabbing jacks and speaking of vibrating strings
thrumming order into space-time and its twenty-six dimensions. The
lesser of them may give lectures on astronomy, lilting his voice on
the subjects of black holes and antiquity's astrolabe. Put simply, the
Library of Erosphyxia has fallen out of use because its tomes contain
no tales that cannot be deciphered in the marble metopes and
bas-reliefs, not to mention the stone faces of men wrinkled into tight
and fleshy triglyphs. Those chalky images, chiseled in stone by
aficionado masters of the golden mean, contain a recurring image: a
young man, coins over his eyes, waterlogged and wilted into the arms
of a beautiful girl. Even those eunuch scribes and wastrel poets once
charged with copying Erosphyxia's history from incunabula onto fresh
vellum made light spirals and loops at the side, littered the
marginalia with dreams of dying and young love.
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